Joe A. Cox, Editor-in-Chief
MIDWESTERN BOOK REVIEW
”Impressively informative, exceptionally well written, organized and presented...an iconoclastic and invaluable course of 'real world practical' instruction and directly usable information that is unreservedly recommended as a film school curriculum textbook, as well as professional, community, and academic library Cinema Technology collections and supplemental studies lists. It should be noted for personal reading lists of film students and non-specialist general readers with an interest in the subject.”
ABC NEWS
CROSSROADS TODAY
”Hollywood filmmaker Shane Stanley writes a book anyone and everyone should read if they want an entertainment industry insider's professional guidance on how to create a movie. This book is an especially invaluable tool to those who have, or plan to, attend a college or university film school.”
Stacy Jenel Smith
BECK/SMITH THE HOLLYWOOD EXCLUSIVE
”Stanley illuminates the world of movie-making in detail in his fast-paced book, speaking from his own sometimes-agonized experience in the film realm. His book gets down into the nitty-gritty, touching upon real-life topics...”
PACIFIC BOOK REVIEW
”...A unique and personal perspective from a well-rounded, solid vantage point. A quality reference for anyone interested in independent filmmaking. Film school curriculums would do students a services to include Stanley's book on a required reading list. A very valuable resource which needs to be in everyone's bookshelf from the beginning actor to the accomplished director/producer.”
CJ Walley, Founder
SCRIPT REVOLUTION
”Great book from a guy who's been bringing a wholesome attitude to Hollywood for a long time. This one's staying in my collection and going on my list of recommendations.”
Businessinsider.com
”A no holds barred, transparent look at making movies from concept to delivery. This book isn't just for students - it's for anyone trying to carve out a career in the film or television industry and evident that Stanley is trying to help bridge the gap between the classroom and real life by giving the next generation of filmmakers as much ammunition as possible before they venture out into Hollywood.”